Patti Isaacs

Patti received extensive training in high school and studied at Indiana University. Patti has spent years developing her style and medium of expression. A silk painter using the French Serti technique, she paints white silk with procien dyes. Patti also works with Washi paper from Japan, a technique called Iris Folding. She is influenced by Japanese culture and nature. Patti does demonstrations and workshops in both silk painting and Iris Folding. Patti was Secretary for Washington County Open Studios and also, held a nonexecutive position as Broad Member. Patti was Vice President at Village Gallery of Arts.

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Suchitra Komandur

Suchitra is a Certified Zentangle teacher originally from India, currently residing in Portland, USA. After her graduation in Computer science and Engineering she worked in the IT industry for over 10+ years with HP and Motorola. She then took a career break when her son was born and relocated to Malaysia a couple of years later.She rediscovered her childhood passion of art and drawing during the covid lockdown days and decided to learn a few Indian folk art forms online. This led to the discovery of the zentangle art form and she found it to be very beneficial in aiding relaxation and reducing anxiety during the difficult pandemic times. So she decided to become a zentangle teacher and spread the benefits of the zentangle methodology . She loves to teach Zentangle/Zentangle inspired art to adults and kids. She also conducts various workshops based on Indian folk arts.

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Linda Jerome

After painting for 30+ years, I’ve gone back to my first interest in art, ceramics. I especially enjoy ceramic sculpture of figures and animals. It always surprises me, and brings me joy.

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Vanaja Mulagada

I come from an artistic family. My father is a well known artist in southern India, and encouraged me to develop my artistic skills from a young age. I moved to Portland in 1997 and Portland has become my home away from home. I was focused on raising a family, but I am now dedicating my time to paint once again. I enjoy the scenic beauty of Oregon where I often capture photographs to paint. I have experience painting in watercolors, acrylic and oil, but now mainly I work on watercolor and acrylic. My paintings are often inspired by the beauty of nature and my Indian culture. Aside from painting, I often use my creative skills to decorate for local cultural events.

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Lee Smith

Artist Lee Smith combines abstract, primitive, expressionist, and gritty contemporary art in her work. “My style is greatly influenced by years spent in CGI production and an unapologetic love for the daily comics,” says Lee. As a keen observer, she finds her inspiration in the social aspects of life. In her long professional career, Lee has worked as a newspaper layout artist, a visual merchandising specialist, a freelance graphic artist, a technical illustrator, and an art director. Lee retired from the corporate world ten years ago to concentrate on her art career. “Although I studied art in college, I prefer to describe myself as ‘self-taught.’ Years of irreplaceable hands-on experience have provided an extensive and invaluable continuing education in the arts,” says Lee.

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Andy Haugen

Andy is a lifelong Oregonian who appreciates travel, sports, nature and a good golden hour. He also has the best Lux cousins of anyone!

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Jan Auten

I have always
Loved drawing and painting. I started seriously painting in 2012. I have been in art shows an
And galleries. I paint the beauty of creation.

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Debbi Estes

Artist Statement:

I see the world through the eyes of an intuitive seeker, expressing deep and varied themes of spirit and its powerful energies.

I delight in exploration of a wide variety of mediums and frequently mix media. I work in acrylic, collage, alcohol ink. Painterly collage is an intuitive process which involves assembling and repurposing a variety of materials.

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Gordon Campbell

Gordon Campbell Artist Statement & Bio

My mosaic art differs from most because I use linoleum and vinyl floorcovering as my medium. Since my pieces mostly consist of discontinued samples & discarded materials, I must create my images using a limited range of color on my “palette”. That is a challenge I enjoy, putting these materials to a new and creative use.
It becomes art and a form of recycling, rather than landfill!

I graduated from the University of Denver with a degree in the Building Industry and spent my adult working life as a homebuilding contractor and later as a kitchen designer. I have had classes in oil & acrylic painting, architectural and mechanical drawing, but my mosaics are the result of self-teaching. I have been creating mosaics for over 15 years.

My art has been displayed at the following galleries and shows: Lake Oswego Festival of Arts and Flowers; Oregon Society of Artists Gallery-Portland; Valley Art Gallery-Forest Grove; Village Arts-Cedar Mill; Beaverton Art Mix; Sequoia Galley-Hillsboro; Turner Creek Boutique -Hillsboro; Beaverton City Hall; Hillsboro-various City facilities; Intel JF3&5, HF2-Hillsboro; Anne Ami Vineyards-Carlton; Brookwood Library-Hillsboro; Primary Elements Gallery-Cannon Beach; Reser Center for the Arts-Beaverton; Grey Raven Gallery-Beaverton; Celebration of Creativity-Beaverton

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KC Wolfe

Lvl 22|He/him|
Hello just your friendly neighborhood artist trying to make it by in the world ♥️

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Amy Stoner

I love to have fun. Make art. Play with color. I also love to make things with wood + wax + paper.

From carving a relief woodblock, pulling a print on the press to applying layers of molten beeswax, I find joy in bringing disparate elements together to create unique, colorful compositions to brighten people’s days and environments.

My work is very process-oriented – that first mark of the brush or pen opens a flood gate of other ideas that pour out onto the canvas. I let my inner psyche speak to me about what it wants to say, creating varied pieces of color, texture, and line. Always colorful, always graphic, they are the best “language” I have with which to speak to the world.

My studio is located in Portland, Oregon in my backyard. I can walk out among my flowers and weird garden art and them immerse in making just a few steps from my home. It’s pretty awesome and I am so grateful.

I have a Bachelor of Arts in Fine Art and Theater Arts from the University of Oregon (1998). I have been a professional working artist since 2000 and have exhibited and sold my work nationally. I have had my work professionally published in both books, magazines, and instructional videos.

I am currently represented by Grey Raven Gallery (Beaverton, OR).

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Zoe Stanek

Born in Nebraska and raised in Western Colorado, Zoe Stanek has found her place among the trees in Oregon’s Pacific Northwest. She’s a creator who takes inspiration from nature and different regions across the United States. Her dream is to become a published author. Zoe explores various mediums including: pottery, acrylic paint, watercolor, ink, colored pencil, and paper collage. The overwhelming themes of her work are hope and whimsy.

Instagram: @she_tried_art
Etsy: https://www.etsy.com/shop/shetriedart?ref=shop_sugg_market
Website: https://shetriedart.square.site/

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April Hoff

Self-proclaimed eclectic pop-conceptual artist and writer preferring to find beauty in the obvious, the mundane, the grotesque, and the overlooked. As a person with ADHD, limiting to a particular medium or subject is impractical. I have an interdisciplinary studio fine arts degree and have been making art professionally since 2005 and teaching art for a living since 2016. Children and adults take classes in various mediums through the business, Artingales, with multiple methods of printmaking being one priority.

Find me on

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2022 Participating Artists

Please welcome our 2022 artists!

A Mist of Horses
Alexa Macias
Amy L Solomonson
Amy Osborne
Amy Tracewell
Anita Silva
April Hoff
Arliss Marcel
Arturo Villasenor
Austin Silva
Barb Sedgwick
Blake Duyck
Brenna Adams
Calvin Bowersox
Carny Val
Caroline Green
Charlie Holt
Charlotte Lumae
Charmel Herinckx
Cherie Savoie Tintary
Chloe Kramer
Chris Goldthorpe
Christine Hurayt
Christine Mooney
Cori Cummings
Dan Hatcher
David Ewald
David Marinos
David Mckee
Dealiliah Jeschke
DebbiEstes
Dianne Muhly
Ebee
Elina Zebergs
Elise Wahl
Eliza Stare
Elizabeth Simpson
Emily geiger
Emily Lux
Eric Loftin
Esmeralda Hernandez
Fear
Fletch Grylls
Frolic (Gail S Green)
Gayle Kemper
Geneva Houx
Goose
Gordon Campbell
Gregor Yanega
Helvi smith
Icarus Mac Millan
Isla James Brittain
Izzy g
James Bamford
Jason Holt
Jeanette Corriell
Jeanne Levy
Jeffrey Hall
Jemma Bosotina
Joann Kemper
John-Brian White
Julie Bosotina
Katana Mckee
Kathie M Ellis
Katie Lux
Kayla Duyck
Kelly Holt
Laura Hopper
Leslie Boser
Liam McLaughlin
Lieta Gratteri
Lily Conroy
Lily Nevers
Linda Allen
Linda Jerome
Loni Sanders
Lora Huebner
Lorraine Warren
Loxley Norman
Maggie Jeschke-Carrillo
Marco Serido
Mason Conroy
Matt Johnston
Megan Wright
Nader Khoury
Naomi Millis
Natalie Hernandez
Nate Marcel
Nick Gustafson
Noah Boyd
NormalFlip
Orson Marcel
Owen Stare
Patti Isaacs
Phyllis Jean Fulton
Rene Worthey
Rick Stare
Riis Griffen
Roy Miranda
Sabina Bair
Sarah Gonzalez
Sarah Rikaz
Serenity
Shesna Calkins
Shiela Lesh
Sierra Gustafson
Skylar Dunthorn
Stacey Smeltzer
Stephanie Woods
Valerie pace Donley
Vanaja Mulagada
Vivian Houx
Willa G. Harrelson
Zoe Stanek

Artist Guidelines

Artists, we accept:
2D ready to hang art in
All Shape formats
Max size 12 x 12 inches framed
Max weight 3 lbs
Max depth 6 inches
Max quantity per artist is likely 5 pieces.
Max price $150 each

Max 12 x 12 does not mean it has to be square, it means neither height nor width may exceed 12 inches including the frame for 2D work and the base for 3D work.

3D ready to display artwork
Max size 12 x 12 x 12
Max weight 10 lbs
Ready to display
Max quantity per artist is likely 5 pieces.
Max price $150 each

Limits are small and lightweight because we are a grab-n-go show. (2024: Only opening weekend will be grab-n-go, remaining art will stay on exhibit until Sunday Dec 8th)

Originals only – painting, drawing, fiber, collage, glass, clay, metal, jewelry, assemblage, photography, prints of graphic art, personally produced video stills, hand pulled printmaking, etc. As long as it meets the criteria above, and isn’t a reproduction not listed it should fit. Ask if you aren’t sure.

No entry fee for the 2024 show! We always welcome donations to support advertising or reception costs though.

97116 will take a 20% commission to cover partial production costs and support this year’s charity. Artists get 80% of sales, all work must be for sale.

Deadline to enter always October 31st

Additionally accepted:

  • [3] Matted or board-backed bin work at 16 x 20 or smaller – must have plastic protection and be priced $150 or less (2024: these will only be up for opening weekend)
  • [10] Cards – okay to label with one sticker each, must have name, artist #, and each priced $10 or less (2024: these will only be for sale opening weekend)

Artwork drop off dates:

  • Friday Nov 8, 6:30 – 8:30PM
  • Saturday Nov 9, 11:00AM – 2:00PM
  • Sunday Nov 10, 12:00-3:00PM

Unsold Artwork pick up date:
ONLY Sunday Dec 8th,
send someone if you cannot get unsold work on Sunday December 8, 2024 between 12pm and 4pm.

Show Duration:
Opening Reception Friday November 15th, 6PM-10PM
Grab-n-go show and sale November 15 – 17 (includes cards & bin work)
Remaining Artwork Exhibit Nov 18 – Dec 7 (sales will occur online and not be available for pick up / delivery until and only Dec 8th)

Payouts:
You will specify which payout method during your Google Form inventory submission and choose from the following: PayPal, Venmo, CashApp, or Check, plus give the username / address for it. Payments will come from Emily in two different rounds. Sales from opening weekend’s grab-n-go will be paid out by Dec 8th. Sales occurring between Nov 18th – Dec 7th should be completed by December 31st. If you choose to have a payment post mailed, factor extra time for USPS.

Registration is closed for 2024, but we will need a lot of volunteer support to pull this off if you can help.

More information

  1. Work must be displayed in any geometric format no larger than 12 x 12, even if framed. Squares, circles, rectangles, ovals, triangles, pentagons, whatever.
  2. Max 3 lbs and 6 inch depth for each hanging work. Test your hung work to make sure the weight or depth does not cause it to face downward unless that’s your intention. It will still need to remain within its max 12 x 12 x 6 boundary.
  3. Delivered work must be ready to hang or display. (no taped on or stapled wire) Test wire strength by hanging the piece on your thumb and bouncing your hand a few times. Did it break loose from your frame or snap? It is okay to bring work in mat, it must have an adhesive hang tab with a hole in it and fit size requirements. 💜 This year you may also use Command strips if your work is flat enough to contact the wall the entire surface of the strip. You must supply the full set attached and ready to go with only the wall-side needing to be peeled. And we thank you because it will mean less patching and painting we have to do 🙂
  4. 3D work limited to 12 x 12 x 12 and 10 lbs. Must be ready to display and not easily tipped.
  5. No reproductions except for bin work and cards. Original photography, printed graphic design, video stills, hand pulled printmaking, etc. qualify as original work the same as other traditional mediums.

If you’re not sure how work is supposed to be displayed, check out the Artist Resources.

Email an image of your work as soon as you can!
If you already registered and have images of work that will be in the show, email them. Those received early may be placed in print advertising, those received later may only make it to web based publication if there is time to share. 97116artshow@gmail.com

Your very important artist number must be on all pieces. You will receive your artist number shortly after submissions close. Your sales will be processed through this number and each piece must have it on the back. You are welcome to let the labels serve the purpose on pieces large enough, otherwise add your number to a hang tag. Artist numbers won’t be assigned until November 1st, after registration closes.

Labels (x 2 this year PLUS 👀 Fill out the Spreadsheet )
You will need an artist number for your labels, it will be assigned Nov 1st. You will also need to complete this Google Form with all information in order for your work to be insured while on display. We need one paper label securely affixed to the back of your work, and a full set filled, cut, and provided at drop-off so we can use them to match show cards. You will also be emailed these Word and PDF documents for labels. Just use your best handwriting if the fillable PDF fields don’t work for you. If your work is too small for affixing, securely tape it to a hang tag. Bin work needs labels too, but cards may have a sticker with artist name, artist number, and price. If there is room, you may also secure a business card to the back or bottom of your work.

Right to Refuse: 97116 Art Show and its volunteers reserve the right to refuse work that is not ready to display or does not meet size requirements. We also reserve the right to determine work is not suitable for general audiences.

LIABILITY: All possible care will be taken with your work while installing the show. However,
97116 Art Show and its volunteers will assume no liability for damage or loss. By delivering your work, you acknowledge agreement to this and the following Pacific University policy.

Pacific University’s insurance policy covers the Works while on campus for display in the Cawein Gallery. In order to guarantee coverage, exhibitors must supply value information for the Works submitted, regardless of whether or not the art is offered for sale. Exhibitor bears the risk of damage to or loss of the Works until the Works have been delivered to, mounted and accepted by Pacific University. Pacific University accepts responsibility for the Works after they are mounted and accepted by the University.

All work submitted must be for sale.

We Need Volunteers

If you indicated you might volunteer, visit our Sign Up Genius for available tasks and times. Thank you!

Call for Submissions

Submissions for 2022 are closed as of Nov 6

If you would like to be added to our newsletter for future notifications, please add your email address to our MailChimp list.

 

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Only Columbia, Washington, and Yamhill County residents are eligible to enter, all ages and skill levels welcome. Artwork must be for sale. Minors under 13 must have parent submit entry. Everyone is welcome to attend the free event November 18 through the weekend.

Submissions are closed as of Nov 6. Images received by October 31st will be considered for print advertising, later images may be used on social media.

Artists, we’re accepting:
Ready to hang art in
All Shape formats
Max size 12 x 12 inches
Max weight 3 lbs
Max depth 6 inches
Max quantity 5 pieces per artist
Max price $150 each (: this is Forest Grove’s Sesquicentennial year 🙂

Max 12 x 12 does not mean it has to be square, it means neither height nor width may exceed 12 inches for 2D work.

3D Pieces
Max size 12 x 12 x 12
Max weight 10 lbs
Ready to display
Max quantity 5 pieces per artist
Max price $150 each (: this is Forest Grove’s Sesquicentennial year 🙂

Limits are small and lightweight because we are a grab-n-go show.

Originals only – painting, drawing, fiber, collage, glass, clay, metal, assemblage, photography, prints of graphic art, personally produced video stills, hand pulled printmaking, etc. As long as it meets the criteria above, and isn’t a reproduction not listed it should fit. Ask if you aren’t sure.

If you are a 3D artist we are showing 3D work this year! Let us know if you’re also interested in participating in the cordoned off adult themes area, please check those boxes during registration.

NO ARTIST ENTRY FEE THIS YEAR!

97116 will take a 20% commission to cover partial production costs and support this year’s charity, Hope Community Network. Artists get 80% of sales. All work must be for sale.

Artists must submit their entry using the 2022 Artist Registration. Once you’re done registering, please email us an image when you have work ready so we can promote it. 97116artshow@gmail.com

Thanks for your interest!

Artist Resources

Read the Guidelines before entering the show or delivering artwork.

Aren’t receiving the emails? Visit this page for the latest consolidated message.

 How do I properly wire a canvas?

You’ll have to click this picture to see the video on YouTube. https://youtu.be/1xqlzSXP59I?t=35

or
https://youtu.be/LBnqLeEiI2k

Some people use the great hack of gluing wire with E6000 when the back is an alternative surface. Another option when we’re accepting 3D work is to provide an easel (labeled with your name for return) and  we’ll display the piece on a table.

If you have another way that is secure and IS NOT any of the following: sawtooth hanger, keyhole, *taped on, or weakly stapled, go for it. *It is okay to bring work in mat, it must have an adhesive hang tab with a hole in it. Only matted without frame work may be hung with these tabs since that work is lightweight and shallow. This year you may also use Command strips if your work is flat enough to contact the wall along the entire surface of the strip. You must supply the full set attached and ready to go with only the wall-side needing to be peeled.

How should 3D work be prepared?

3D work should be stable with wide enough footing that it isn’t easily tipped. It should stay within the dimensions listed in the Call for Submissions or Artist Guidelines. It’s also important to make sure the piece is not likely to unwittingly injure a person.

May I use a pseudonym?

Yes, you may. Register with your actual name because that’s how we pay you. Then feel free to email your pseudonym from the same address and we’ll list you in the exhibit that way. You’ll fill out your own show cards with the pseudonym.